‘64’
‘64’, 2012. 15 x 4 cm approx. Graph paper, Oil paint, Sumi Ink and Fire. A series of paintings made with the process Eninka: a technique devised by John Cage in the 1980's, where fire becomes fossilized in the painting’s surface.
Installation shot, Galway Arts Centre, 2012.

'Eyjafjallajokull'
'Eyjafjallajokull'
2012.Time lapse Video, 1 min looped, With special thanks to Frank Delaney and Sean Stiegemier.
Eye of the Storm, Galway Arts Centre
2012

Lava Glass and Lava Bomb
From the Eyjafjallajokull volcano, 2011 (Installation shot)
Eye of the Storm, Galway Arts Centre
2012
‘Dakota DC3 abandoned aircraft, Iceland’, 2011.
‘Dakota DC3 abandoned aircraft, Iceland’, 2011. Digital photo. Photo: Siobhan McDonald, Iceland, 2011.

Readymade
Series of DC-3 Dakota abandoned aircraft pieces collected on site in Iceland since June 2010
Eye of the Storm, Galway Arts Centre
2012

Readymade
Series of DC-3 Dakota abandoned aircraft pieces collected on site in Iceland since June 2010
Eye of the Storm, Galway Arts Centre
2012

Installation shot
Eye of the Storm, Galway Arts Centre
2012
'Journey to the epicentre of a volcano'
Digital photo, August 2012.
Siobhan McDonald
Iceland
‘64’
‘64’, 2012. (detail) 15 x 4 cm approx. Graph paper, Oil paint, Sumi Ink and Fire. A series of paintings made with the process Eninka: a technique devised by John Cage in the 1980's, where fire becomes fossilized in the painting’s surface.
Installation shot, Galway Arts Centre, 2012.

Installation shot
Eye of the Storm, Galway Arts Centre
2012

Inverse
2012, .003 section of the Earth, 1950's wood tripod, Perspex and mirror
Eye of the Storm, Galway Arts Centre
2012

Inverse
2012, .003 section of the Earth, 1950's wood tripod, Perspex and mirror (detail).
Eye of the Storm, Galway Arts Centre
2012

Installation shot
Eye of the Storm, Galway Arts Centre
2012
Retreating Glacier I
Oil on canvas
70 x 70 square
New Landmass
Oil on canvas
20 x 20 cm square
New Landmass II
oil on canvas
70 cm square

End
Eye of the Storm, Galway Arts Centre
2012
70 x 70 cm, Oil on Canvas.
‘64’
‘64’, 2012. 15 x 4 cm approx. Graph paper, Oil paint, Sumi Ink and Fire. A series of paintings made with the process Eninka: a technique devised by John Cage in the 1980's, where fire becomes fossilized in the painting’s surface.
Installation shot, Galway Arts Centre, 2012.
'Eyjafjallajokull'
'Eyjafjallajokull'
2012.Time lapse Video, 1 min looped, With special thanks to Frank Delaney and Sean Stiegemier.
Eye of the Storm, Galway Arts Centre
2012
Lava Glass and Lava Bomb
From the Eyjafjallajokull volcano, 2011 (Installation shot)
Eye of the Storm, Galway Arts Centre
2012
‘Dakota DC3 abandoned aircraft, Iceland’, 2011.
‘Dakota DC3 abandoned aircraft, Iceland’, 2011. Digital photo. Photo: Siobhan McDonald, Iceland, 2011.
Readymade
Series of DC-3 Dakota abandoned aircraft pieces collected on site in Iceland since June 2010
Eye of the Storm, Galway Arts Centre
2012
Readymade
Series of DC-3 Dakota abandoned aircraft pieces collected on site in Iceland since June 2010
Eye of the Storm, Galway Arts Centre
2012
Installation shot
Eye of the Storm, Galway Arts Centre
2012
'Journey to the epicentre of a volcano'
Digital photo, August 2012.
Siobhan McDonald
Iceland
‘64’
‘64’, 2012. (detail) 15 x 4 cm approx. Graph paper, Oil paint, Sumi Ink and Fire. A series of paintings made with the process Eninka: a technique devised by John Cage in the 1980's, where fire becomes fossilized in the painting’s surface.
Installation shot, Galway Arts Centre, 2012.
Installation shot
Eye of the Storm, Galway Arts Centre
2012
Inverse
2012, .003 section of the Earth, 1950's wood tripod, Perspex and mirror
Eye of the Storm, Galway Arts Centre
2012
Inverse
2012, .003 section of the Earth, 1950's wood tripod, Perspex and mirror (detail).
Eye of the Storm, Galway Arts Centre
2012
Installation shot
Eye of the Storm, Galway Arts Centre
2012
Retreating Glacier I
Oil on canvas
70 x 70 square
New Landmass
Oil on canvas
20 x 20 cm square
New Landmass II
oil on canvas
70 cm square
End
Eye of the Storm, Galway Arts Centre
2012
70 x 70 cm, Oil on Canvas.









